Hope and Change

This post is written first to myself, Caleb Sommerville, and then to the tens of people that will read this.
The two words up for the prize of Buzzwords of the Decade.
Hope and Change.
The question no one (seriously) asks of Obama's catchphrase is this: Hope in what? Change of what? What are we supposed to be placing hope in? What exactly needs change and what does that entail?

The Five Weirdest Songs in My Library

As you tens of readers know from my occasional Shuffleboard© posts, I have a ton of music. A ton of really varied music. Over the years I've collected quite a few tunes (I'm up to 9032 songs, 24.1 days, or 42.48GB), so a few of them are bound to be weird, even to my eclectic ear.
Ooo. I'm saving Eclectic Ear for when I have a band.

I'm Leaving Apple (and AT&T)

Come April, when my two-year contract is up with AT&T, I'm splittin' town. My iPhone will remain in service as an iPod Touch, but my cell phone loyalties will be shifting to a competitor.
I can only stomach so much arrogance and buffoonery before I throw up.

Shuffleboard 12

1. "Prelude from Suite No. 1 for Unaccompanied Cello in G Major" by Yo-Yo Ma from Sounds of Yo-Yo Ma
Note: composed by Bach
Nothing better than a great cello. Yo-Yo Ma is the cello, as far as I'm concerned. Like Itzhak Perlman on the violin and John Coltrane on the sax, Ma is the definition of a great cellist.
This is one of the more popular Bach cello pieces. It's definitely written solely for a cello, and Bach certainly challenges the player to play some great sixteenth-note runs. In fact, the song is pretty much one long sixteenth-note run. Ma has exceptional emotion and dynamics throughout the shortish track, and you can't help but feel distinguished just by listening to it. Phenomenal.